Walter Howell Deverell: The Mock Marriage of Orlando and Rosalind

(Allusion to title)	Margaret Comer: As You Hike It William Lyon Phelps: As I Like It Belle Barsky: As We Like It
(Allusion to a character in the play.)	F. Xavier Calvert: A Modern Rosalind
My father's love is enough to honour him. (I,ii)	Margaret Peterson: Love Is Enough Francis Young: Love Is Enough William Morris: Love Is Enough Peggy Gaddis: Love Is Enough
Sir, fare you well: Hereafter, in a better world than this, I shall desire more love and knowledge of you. (I,ii)	Everett Talbott: A Better World Tyler Dennett: A Better World E. B. Southwick: A Better World Roy Anderson: A Better World Harvey Jackins: A Better World William L. O'Neill: A Better World
Here feel we but the penalty of Adam. (II,i)	Frederick Staver: The Penalty of Adam
Sweet are the uses of adversity, Which, like the toad, ugly and venomous, Wears yet a precious jewel in its head. (II,i) Francis Hayman: The Wrestling Scene from 'As You Like It'	John Winthrop Hackett: Sweet Uses of Adversity: An Experience Leonard Tashnet: The Uses of Adversity Ellen Spolsky, ed.: The Uses of Adversity: Failure and Accommodation in Reader Response Timothy Garton Ash: The Uses of Adversity: Essays on the Fate of Central Europe
I must comfort the weaker vessel, as doublet and hose ought to show itself courageous to petticoat. (II,iv)	David Christie Murray: The Weaker Vessel Edward Benson: The Weaker Vessel Antonia Fraser: The Weaker Vessel
Under the greenwood tree, Who loves to lie with me, And turn his merry note Unto the sweet bird's throat, Come hither, come hither, come hither; Here shall he see No enemy But winter and rough weather. (II,v)	Francis Williams: Under the Greenwood Tree... Sister Vernon: Under the Greenwood Tree Ellen Lorenz: Under the Greenwood Tree James P. Dunn: Under the Greenwood Tree Thomas Hardy: Under the Greenwood Tree Sarah Prinsep: No Enemy but Winter Richard Allen: No Enemy but Winter Iris Bromige: Rough Weather
A fool, a fool! I met a fool i' the forest, A motley fool. (II,vii)	R. Aldington: A Fool i' the Forest
And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot; And thereby hangs a tale. (II,vii)	Charles Earle Funk: Thereby Hangs a Tale Marjorie Merwin: And Thereby Hangs Andrew Spiller: And Thereby Hangs --
O noble fool! A worthy fool! Motley's the only wear. (II,vii)	Thomas Hill MacNeal: Motley's the Only Wear
I must have liberty Withal, as large a charter as the wind, To blow on whom I please. (II,vii)	Isabel de Palencia: I Must Have Liberty
Whate'er you are That in this desert inacessible Under the shade of melancholy boughs, Lose and neglect the creeping hours of time; If ever you have look'd on better days, . . . Let gentleness my strong enforcement be. (II,vii)	Allan Jobson: The Creeping Hours of Time Ronald Mitchell: Better Days Bruce Barton: Better Days Reginald Shutte: Better Days Thomas Fitch: Better Days Richard Dressen: Better Days
All the world's a stage, And all the men and women merely players: They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth stage shifts Into the lean and slipper'd pantaloon With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank; and his big manly voice Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste, sans every thing. (II,vii) William Mulready: The Seven Ages of Man	Clifford Bax: All the World's a Stage Michael Bender: All the World's a Stage Isaac Jackman: All the World's a Stage Barbara Wisch & Susan Scott Munshower, eds.: All the World's a Stage Ronald Harwood: All the World's a Stage John Gordon: All the World's a Stage Arline Momeyer: All the World's a Stage Harold Meltzer: All the World's a Stage Hershel Zohn: All the World's a Stage: Memoirs Lowell S. Swortzell, comp.: All the World's a Stage: Modern Plays for Young People Hugh Paget, ed.: All the World's a Stage: Australian-British Theatre Exhibition To Mark the Opening of the Sydney Opera House by Her Majesty, Queen Elizabeth II on Oct. 20, 1973 Harry Karlinsky: All the World's a Stage: A Special Board Book for Very Young Children Daniel Sandler: The Taxation of International Entertainers and Athletes: All the World's a Stage William Fay: Merely Players Claude Bragdon: Merely Players Lucy Dale: Merely Players Gregory McDonald: Merely Players Lee Bennett Hopkins, ed.: Merely Players Michael McCanles: Merely Players Virginia Tracey: Merely Players Edward Wagenknecht: Merely Players Louise Gluck: Seven Ages John Nicholson: Seven Ages Eva Figes: Seven Ages Basil Dean: Seven Ages: An Autobiography Glyn Davies: Seven Ages to Paradise Frederic Everleigh: Seven Ages of History & Progress: A History of the World and Its People from Remote Ages to Modern Times Walter Kaufmann: The Seven Ages of Man Ralph Bergengren: The Seven Ages of Man Rockwell Kent: The Seven Ages of Man George W. Rutler: The Seven Ages of Man Robert R. Sears, ed.: The Seven Ages of Man Robert R. & S. Shirley Feldman: The Seven Ages of Man George William Rutler: The Seven Ages of Man: Meditations on the Last Words of Christ Christopher Hollis: The Seven Ages: Their Exits and Their Entrances Richard Southern: The Seven Ages of the Theatre Carolyn Wells: The Seven Ages of Childhood Various: The Seven Ages of Music Elizabeth Parker: The Seven Ages of Woman Compton Mackenzie: The Seven Ages of Woman Field Marshall Lord Carver: The Seven Ages of the British Army Maurice Druon: The Seven Ages of Paris Charles Avery: The Seven Ages of Dan: A 2-Act Comedy Donald W. Hoppen: The Seven Ages of Frank Lloyd Wright: The Creative Process George Washington Corner: The Seven Ages of a Medical Scientis: An Autobiography Donald Phillip Verene: The High Road of Humanity: The Seven Ethical Ages of Western Man. William Albert Levi (Value Inquiry Book Series; 27) Jack Oliver: The Lifetime Financial Plan: The Seven Ages of Financial Health Stephen D. Frances: One Man in His Time Sam C. Brissie: One Man in His Time Ellen Glasgow: One Man in His Time Xan Fielding: One Man in His Time G. E. Waterworth: One Man in His Time Serge Oblensky: One Man in His Time Nikolai Borodin: One Man in His Time Bruce Belfrage: One Man in His Time Moyra Charlton: One Man in His Time G. B. Harrison: One Man in His Time Alick West: One Man in His Time Maud Derbin Skinner: One Man in His Time Anne Allardice: Unwillingly to School Pauline Ashwell: Unwillingly to School Tim Heald: Jealous in Honour P. C. Wren: Bubble Reputation Cathie Pelletier: The Bubble Reputation W. Glenn Duncan: Cannon's Mouth Edward Henderson: This Strange Eventful History
And thou, thrice-crowned queen of night, survey With thy chaste eye, from thy pale sphere above Thy huntress' name that my full life doth sway. (III,ii)	Kenneth Perkins: Queen of the Night Charles Grobe: The Queen of Night Frederic M. Spotswood: The Queen of Night Marc Behm: The Queen of the Night
I know...that he that wants money, means and content is without three good friends. (III,ii)	William Wiesner: Three Good Friends
This is the very false gallop of verses; why do you infect yourself with them? (III,ii)	Thomas Austin Kirby: False Gallop
Jaques. Let's meet as little as we can. Orlando. I do desire we may be better strangers. (III,ii)	Delia Ellis: Better Strangers
Jaques. What stature is she of? Orlando. Just as high as my heart. (III,ii)	Sammy Aaronson: As High As My Heart
Here in the skirts of the forest, like fringe upon a petticoat. (III,ii)	Violet Quirk: The Skirts of the Forest
(Allusion to stage direction in III,v.)	Gladys Bronwyn Stern: Another Part of the Forest Lillian Hellman: Another Part of the Forest
Men have died from time to time, and worms have eaten them, but not for love. (IV,i)	Marten Cumberland: And Worms Have Eaten Them William J. Elliott: And Worms Have Eaten Them Beatrice Kean Seymour: But Not for Love Ivor Wilson: But Not for Love Philip Mechem: And Not for Love
O sir, we quarrel in print, by the book; as you have books for good manners: I will name you the degrees. The first, the Retort Courteous; the second, the Quip Modest...the seventh, the Lie Direct. All these you may avoid but the Lie Direct; and you may avoid that too, with an If. (V,iv)	Susan Malone: By the Book Martha Blue: By the Book Clive Thomas: By the Book Joseph Ritson: The Quip Modest Sara Woods: The Lie Direct

Nicholas Rowe's Some Account of the Life &c. of Mr. William Shakespear

Last updated 9 March 2003.